Hey guys!
So today I want to talk about addiction. And one of my biggest one are shitty/weird TV-shows. One of them is Lockup, which is a show where a camera crew spends a couple of months inside various jails and prisons and gets to know some inmates, and then we learn their stories. It sounds like a garbage show not worthy of time, but I think it's great. I love it!

Right now I'm sitting here with my Chapel Hill-story that I've been trying to write since August I think and I've done plenty of research and I've created a timeline and now I just have to write my index cards. I've talked about index cards before but it's crucial that I get the message across how freaking great the index cards method actually is.
Basically what you do when you're starting a book or project, and you're currently working on the structure and timeline is to take 60 pieces of paper/empty index cards, and on each of them you write certain scenes you want to be in your book. Most of us already have certain scenes in mind that we really want to fit into our story because it's either a crucial moment, or it represents something that you think about your character/you want your character to go through to be able to grow. For me, I have a scene where my characters goes to prom near the end of the book, and then there's this Carrie-ish blood bath and I've invested so much time, energy and research to be able to write this scene, so this is actually the one I got done with first. I want my story to lead up to this scene.
So back to the method; you take 60 pieces of paper and write down the scenes you want/need, and place them in order. You don't have to fill out all cards right away. Look at the timeline you've created. Maybe you've written down 45 scenes, but that still leaves 15 to be written. These scenes might be the ones that takes your character from one part of the story to another. Maybe you have a scene where your character Eliza just got sentenced and is packing up her stuff that she's taking with her from jail, and then you skip right ahead to where she's unpacking in the half-way house. Now you have two scenes.
What you can do now is to add a scene where Eliza stands with her bags and the clothes she borrowed from jail outside of the police station and she's nervous and she's calling her step father in hopes on him picking her up, but when he hears her voice he immediately hangs up. Not only is this scene taking your character from one place to another, but you actually get to know more about Eliza and her relationship with her step father.

So what's the deal with the golden number 60? The idea is to have 15 cards that are about the beginning of the story, and then 30 cards that takes your character through the middle (the big deal) of the story. And then you end your story with the last 15 cards. So in the words of a famous author that I can't remember; tell them what you're going to tell them, tell them, tell them what you've told them.



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